yves saint laurent 1967 afrique | yves saint laurent fashion yves saint laurent 1967 afrique À l’exception du Maroc, Yves Saint Laurent n’aime pas voyager, et ses plus beaux voyages sont imaginaires. En 1967, pour la collection printemps-été, il s’inspire de l’Afrique et crée une série .
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His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including .A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring .
En 1966, Yves Saint Laurent et Pierre Bergé découvrent le Maroc qui devient .
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With the Musée Yves Saint Laurent Paris and the Musée Yves Saint Laurent .Yves Saint Laurent met Betty Catroux in 1967. They were immediately drawn to .À l’exception du Maroc, Yves Saint Laurent n’aime pas voyager, et ses plus beaux voyages sont imaginaires. En 1967, pour la collection printemps-été, il s’inspire de l’Afrique et crée une série . Yves Saint Lauren’s African & Safari Collections caused quite the revolution in the fashion world in 1967. Inspired by the fantasy and exoticism of traditional cultural African dress .
His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread.
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À l’exception du Maroc, Yves Saint Laurent n’aime pas voyager, et ses plus beaux voyages sont imaginaires. En 1967, pour la collection printemps-été, il s’inspire de l’Afrique et crée une série de robes très délicates, faites de divers matériaux comme des perles de . Yves Saint Lauren’s African & Safari Collections caused quite the revolution in the fashion world in 1967. Inspired by the fantasy and exoticism of traditional cultural African dress YSL’s interpretation made beaded, feathered, tribal patterns oh so chic and beautiful!
Saint Laurent surrounded by Pierre Berge, Betty Catroux, LouLou Klossowski and Anne-Marie Munoz. Image Credit: WWD Staff Pour la collection 1967, Yves Saint Laurent convoque différentes cultures africaines pour créer des silhouettes totémiques et des robes bambaras. Révolutionnaire, il utilise des matériaux.
The spring/summer African collection of Haute Couture 1967. At the time when industrial production predominated, YSL decided to renew artisanal techniques by creating gowns from a variety of materials, including wooden beads, raffia, straw and golden thread.
Born in 1936 in the city on Algeria’s northwest coast, he had left for Paris at 18 to study fashion at the École de la Chambre Syndicale de la Couture Parisienne. Before he completed the first year, however, a brief interview with Christian Dior led the leading fashion designer to .Yves Saint Laurent est né en 1936 à Oran, en Algérie. C’est donc l’Afrique du Nord qu’il retrouve 30 ans plus tard, et avec elle cette lumière si particulière qui lui révèle la couleur. Pour Yves Saint Laurent, le Maroc devient une source d’inspiration intarissable.
A BROWN SUEDE MINI DRESS YVES SAINT LAURENT, AFRICA COLLECTION, 1967 the chocolate brown suede scattered with diamanté starbursts, with fringed hem labelled in side seam Yves Saint Laurent, stamped 019926.
Yves Saint Laurent. A sensational haute couture sleeveless cocktail dress from Yves Saint Laurent's African inspired collection, Spring, 1967, the bodice and skirt made up of bands of imitation mother-of-pearl shells, imitation coral drops and beads and orange vermicelli sequins, the open peep-through midriff strung with a beadwork lattice of .His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread.À l’exception du Maroc, Yves Saint Laurent n’aime pas voyager, et ses plus beaux voyages sont imaginaires. En 1967, pour la collection printemps-été, il s’inspire de l’Afrique et crée une série de robes très délicates, faites de divers matériaux comme des perles de .
Yves Saint Lauren’s African & Safari Collections caused quite the revolution in the fashion world in 1967. Inspired by the fantasy and exoticism of traditional cultural African dress YSL’s interpretation made beaded, feathered, tribal patterns oh so chic and beautiful! Saint Laurent surrounded by Pierre Berge, Betty Catroux, LouLou Klossowski and Anne-Marie Munoz. Image Credit: WWD Staff
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Pour la collection 1967, Yves Saint Laurent convoque différentes cultures africaines pour créer des silhouettes totémiques et des robes bambaras. Révolutionnaire, il utilise des matériaux. The spring/summer African collection of Haute Couture 1967. At the time when industrial production predominated, YSL decided to renew artisanal techniques by creating gowns from a variety of materials, including wooden beads, raffia, straw and golden thread.Born in 1936 in the city on Algeria’s northwest coast, he had left for Paris at 18 to study fashion at the École de la Chambre Syndicale de la Couture Parisienne. Before he completed the first year, however, a brief interview with Christian Dior led the leading fashion designer to .Yves Saint Laurent est né en 1936 à Oran, en Algérie. C’est donc l’Afrique du Nord qu’il retrouve 30 ans plus tard, et avec elle cette lumière si particulière qui lui révèle la couleur. Pour Yves Saint Laurent, le Maroc devient une source d’inspiration intarissable.
A BROWN SUEDE MINI DRESS YVES SAINT LAURENT, AFRICA COLLECTION, 1967 the chocolate brown suede scattered with diamanté starbursts, with fringed hem labelled in side seam Yves Saint Laurent, stamped 019926.
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yves saint laurent 1967 afrique|yves saint laurent fashion
