ysl 1967 | YSL peacoat 1962 ysl 1967 Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, . Contact us about a Pension product. If your client needs to make a change, claim or discuss their policy, the numbers below will put you in touch with our specialist teams.
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YSL peacoat 1962
A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as he did for the tuxedo, Saint Laurent .Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, .A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as he did for the tuxedo, Saint Laurent adapted the traditionally masculine suit for the female body.
Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread. At a time when industrial production .For Luis Buñuel’s 1967 film Belle de Jour, Yves Saint Laurent created an entire wardrobe for Catherine Deneuve’s character Séverine Serizy, a young bourgeoise who finds meaning in her extramarital encounters in a brothel. After drawing inspiration from Africa for his 1967 collection, Saint Laurent debuted his “African Queen” collection, dedicating the show to longtime muse Iman. The designer was an early advocate.
Taking us on a journey from Ghana, the cradle of Pan-Africanism, to the United Kingdom of the "swinging sixties" where the African diaspora settled, James Barnor, an eternal young man of 94, offers a unique photographic archive spanning 40 years of History.Yves Saint Laurent, a designer extremely sensitive to social trends, responded to the May student uprisings in 1968 by creating a line of women's tailored trouser suits. Based on the "African" theme, he created a "Safari" suit for his spring/summer 1968 collection, transforming the functional hunting outfit into townwear for women.
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In 1967, he introduced his Prêt-à-Porter House YSL Rive Gauche, which would exclusively sell ready-to-wear collections, opening up the market to more of the masses with more accessible price points and styles than previously seen within the couture collections.Pants provided a viable alternative and surcease from further slides of skirts up and down the leg. Saint Laurent was the couturier most ready to offer pants, having systematically presented them, first as part of his smoking ensembles, since the mid-1960s.On the occasion of a new documentary on the famed designer, Yves Saint Laurent: The Last Collections, we revisit some of Saint Laurent's stand-out fashion moments. Yves Saint Laurent outside his first-ever London Rive Gauche store with models Louise de La Falaise and Betty Catroux in 1969. Abonnez-vous http://bit.ly/inastyles 31 juillet 1967 Tête de mannequin - la mariée - YVES SAINT LAURENT - GP de la tête de la jeune femme - voix de SAINT LAURENT : "Les femmes n'ont plus envie.
A year after the tuxedo, Yves Saint Laurent proposed his first pantsuit in his Spring-Summer 1967 collection. It was an unusual design for a suit, which was traditionally worn with a skirt. Just as he did for the tuxedo, Saint Laurent adapted the traditionally masculine suit for the female body.Other than his visits to Morocco, Yves Saint Laurent did not like traveling. His most beautiful journeys were imagined. For his Spring-Summer 1967 collection, he was inspired by Africa, creating a series of delicate gowns from a variety of materials, including wooden beads, raffia, straw, and golden thread. At a time when industrial production .For Luis Buñuel’s 1967 film Belle de Jour, Yves Saint Laurent created an entire wardrobe for Catherine Deneuve’s character Séverine Serizy, a young bourgeoise who finds meaning in her extramarital encounters in a brothel.
After drawing inspiration from Africa for his 1967 collection, Saint Laurent debuted his “African Queen” collection, dedicating the show to longtime muse Iman. The designer was an early advocate.
Taking us on a journey from Ghana, the cradle of Pan-Africanism, to the United Kingdom of the "swinging sixties" where the African diaspora settled, James Barnor, an eternal young man of 94, offers a unique photographic archive spanning 40 years of History.
Yves Saint Laurent, a designer extremely sensitive to social trends, responded to the May student uprisings in 1968 by creating a line of women's tailored trouser suits. Based on the "African" theme, he created a "Safari" suit for his spring/summer 1968 collection, transforming the functional hunting outfit into townwear for women.
In 1967, he introduced his Prêt-à-Porter House YSL Rive Gauche, which would exclusively sell ready-to-wear collections, opening up the market to more of the masses with more accessible price points and styles than previously seen within the couture collections.
Pants provided a viable alternative and surcease from further slides of skirts up and down the leg. Saint Laurent was the couturier most ready to offer pants, having systematically presented them, first as part of his smoking ensembles, since the mid-1960s.On the occasion of a new documentary on the famed designer, Yves Saint Laurent: The Last Collections, we revisit some of Saint Laurent's stand-out fashion moments. Yves Saint Laurent outside his first-ever London Rive Gauche store with models Louise de La Falaise and Betty Catroux in 1969.
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ysl 1967|YSL peacoat 1962
